A Bird’s Epic Migration Stuns Scientists and Wins Online Fans

https://ift.tt/2NWMMne

This story originally appeared in The Guardian and is part of the Climate Desk collaboration.


When Onon took off above the rolling hills of the Khurkh valley in Mongolia last June, researchers had no idea if they would see him alive again. Along with one oriental cuckoo and three other common cuckoos, each fitted with a tiny tracking device, he was about to embark on an epic journey to southern Africa.

Last month, he was the only bird to return safely with his tracker intact.

“It’s an amazingly long migration,” says Chris Hewson, senior research ecologist at the British Trust for Ornithology, who said Onon’s 26,000-kilometer round trip was one of the longest journeys recorded by any land bird.

Onon has not only amazed conservationists but gripped social media across the globe. As coronavirus lockdowns brought the world to a virtual standstill, fans followed online updates from the Mongolia Cuckoo Project, watching in awe as Onon cruised across oceans and made 27 border crossings in 16 countries.

He returned on May 27, having become a media celebrity in India, Kenya, and Sweden. Back in Mongolia, he appeared on television and made newspaper headlines.

Researchers are now studying data from his journey for clues about why cuckoos travel as far as they do, and how they might be affected by the climate crisis.

Hewson, who worked on the project with the Wildlife Science and Conservation Center of Mongolia, admits he did not believe cuckoos were such proficient migrators. “Although they’ve got nice long wings, when they’re flying around the breeding site they look slightly ungainly compared to the other birds,” he says. In fact, cuckoos such as Onon, which migrate in search of caterpillars, their favourite food, travel remarkably fast, he adds. Using tailwinds, they can motor for more than 1,000 kilometers a day for a week.


Photograph: Dan Skinner/Getty Images

ABSURD CREATURES

From an invisible gecko to a blorpie fish, these atypical animals are a testament to natural selection.


Caterpillars are most common in places that are sunny and wet, and so, in summer, there are plenty in the Khurkh valley, in the southeast of the Khentii mountain range. As the weather changes they go to India for monsoon season, and then, as the wind changes, to east Africa.

It’s not an easy journey. The four other birds that set off at the same time as Onon did not make it back. Their fate is unknown—their trackers may have failed, or they may have died. One of them, Bayan, is thought to have died in Yunnan province, China, after flying 7,200 kilometers from Somalia in just seven days.



from Wired https://ift.tt/2uc60ci
via IFTTT

9 new trailers to watch this week

https://ift.tt/3glVOpK

Soul stillImage: Pixar

Like seemingly everyone else right now, I watched back through Avatar: The Last Airbender for the first time in years (actually, just the second and third seasons since my wife got through most of the first one without me) because it’s come back to Netflix. It’s been really wonderful seeing such a brilliant, funny, epic, and deserving show suddenly getting this widespread recognition.

On (what is probably my fourth) rewatch, what really stood out to me is the incredible attention the show gives to building out vibrant, fascinating cultures throughout its world. The show’s protagonists are constantly traveling, yet even towns and characters that only show up for an episode get distinct traits and humanizing moments. It adds up to a fantasy world that feels uniquely rich and complete.

One example that really caught me was the show’s swampbenders. They’re largely a joke, but the show still gives them a history (they’re Water Tribe descendants who migrated to the Earth Kingdom) and a culture (they settled in the swamp because they learned to work the water within the vines). It feels whole despite being a subplot within a 20-minute episode, and it’s just one of dozens.

If you haven’t watched the show already, you should really give it a try. (Just know, it takes a couple of episodes to hit its stride.)

Check out nine trailers from this week below.

Soul

Pixar’s next film looks gorgeous... and since I can’t get outside to see New York City all that much, it’s nice to see Soul’s re-creation of it, which seems to perpetually be covered in glowing golden-hour light. The film comes out on November 20th.

Black is King

Beyoncé has another visually stunning film coming up, which she both wrote and directed herself. It’s exclusive to Disney Plus and is supposed to tie into themes from The Lion King since she starred in last year’s remake. But mostly, it just looks like the latest entry in Beyoncé remarkable line of visual albums. The film comes out on July 31st.

The Old Guard

Charlize Theron stars in a new film for Netflix about a group of mercenaries who can’t die and have gone to battle throughout the ages. It looks like a truly ludicrous premise and an excuse for plenty of elaborate action. The film comes out on July 10th.

Aretha Franklin

Jennifer Hudson plays soul legend Aretha Franklin in Respect, a new biopic that explores Franklin’s rise to stardom — and, naturally, gives Hudson plenty of excuses to cover the classics. Variety reports that Franklin was involved with the production until her death in 2018. The film comes out on Christmas.

Greatness Code

I’m extremely into the strange, glitchy, bad-good digital art style used in Apple TV Plus’ latest series. Greatness Code is pretty straightforward on the surface — it’s about top athletes discussing some of their best and toughest moments — but it looks like it’s been beautifully packaged and in an unusual way for a sports doc. It comes out on July 10th.

Cursed

Here’s the first real look at Cursed, a new series that reimagines the legend of King Arthur, but with Nimue as the one who comes to wield the sword. It looks like a huge teen fantasy adventure. The show debuts on July 17th.

Boys State

Boys State got great reviews out of Sundance, and now it’s headed to Apple TV Plus. The documentary follows an elaborate mock government program for teenage boys in Austin, Texas, and watches as the competition quickly comes to reflect “all the flaws of American politics,” as Tasha Robinson wrote over at Polygon. It comes to theaters on July 31st and then starts streaming on August 14th.

Bloody Nose, Empty Pockets

Bloody Nose, Empty Pockets is a documentary — sort of — about the final night of a Las Vegas dive bar, spending time with the regulars who filter in and out and make the place a joy. It’s also... not really a documentary. The bar is in New Orleans, and the people are all playing characters made up while filming. I don’t know exactly what you call that (well, fiction, probably), but it looks really interesting. The film starts to come out on July 8th.

Kids See Ghosts

Will this be good? Will this be real? I have no idea. But at the very least, we have this wild two-minute teaser for a supposed animated show directed by Takashi Murakami based on Kanye West and Kid Cudi’s one-off album, which is best known for having a follow-up to the breakout track for 070 Shake, “Ghost Town,” on it. It comes out... who knows. Whatever happened to Kanye’s game about his mother traveling to heaven?



from The Verge https://ift.tt/1jLudMg
via IFTTT

Ask HN: How do you deal with social isolation while working from home?

https://ift.tt/3iqF5ng

Counter balance: I have also been WFH for the past several years. I enjoy it and prefer it to working in an office.

The thing is, WFH is not for everyone. Some people will thrive in it, and some will not, and that's OK. Don't try and force yourself into a pattern that doesn't suit. Once the pandemic is over, revert to the work environment you enjoy most.

In the meantime, if you feel lonely, try always-on voice comms with your teammates while you all work as usual, mostly the audio will be quiet, but it does allow for people to spontaneously ask questions, or bounce ideas, is if you all were still in the office.



from Hacker News https://ift.tt/YV9WJO
via IFTTT

Most of Europe Is a Lot Poorer Than Most of the United States

https://ift.tt/1SJY6OJ

I wrote previously that many European nations are doomed by demographics to fiscal chaos, but a lot of people don’t care that much about the future.

Bernie Sanders, for instance, looks at nations such as Denmark and Sweden today and says that America should copy their expansive welfare states.

Is he right?

Well, it depends on the parameters. If, for some reason, somebody was holding a gun to my head and demanding that we copy the policies of a nation from the European Union, the Nordic countries would be among my top choices. Yes, their welfare states are too large, but they somewhat compensate for that mistake by having very pro-free market policies in other areas.

That being said, Ireland and the United Kingdom have the most economic freedom among EU nations, and Switzerland would be at the top if the choice was broadened to non-EU nations in Europe.

But I’m digressing. Let’s get back to whether people in places such as Denmark (or anywhere else in Europe) enjoy more prosperity than their American counterparts.

Mark Perry of the American Enterprise Institute has put together some apples-to-apples data suggesting the answer is no. At least if the goal is more economic output and higher living standards.

Most European countries (including Germany, Sweden, Denmark and Belgium) if they joined the US, would rank among the poorest one-third of US states on a per-capita GDP basis, and the UK, France, Japan and New Zealand would all rank among America’s very poorest states, below No. 47 West Virginia, and not too far above No. 50 Mississippi. Countries like Italy, S. Korea, Spain, Portugal and Greece would each rank below Mississippi as the poorest states in the country.

And here’s the table Mark prepared.

As a quick caveat, it’s worth noting that there’s not a one-to-one link between gross domestic product and actual living standards. Some of the economic activity in energy-rich states such as North Dakota, for instance, translates into income for shareholders living elsewhere in America.

But if you look at the US average ($54,629), it obviously is higher than economic output in European nations. And if you prefer direct measures of living standards, then data on consumption from the OECD also shows that America is considerably more prosperous.

None of this suggests that policy in America is ideal (it isn’t) or that European nations are failures (they still rank among the wealthiest places on the planet).

I’m simply making the modest — yet important — argument that Europeans would be more prosperous if the fiscal burden of government wasn’t so onerous. And I’m debunking the argument that we should copy nations such as Denmark by allowing a larger government in the United States (though I do want to copy Danish policies in other areas, which generally are more pro-economic liberty than what we have in America).

Shifting to a different topic, Mark Perry also takes a shot at Donald Trump, who seems to think that other nations are “winning” over America because of trade.

Maybe we should remind him that Mexico and China, as US states, would both be far below our poorest state — Mississippi — by 51% and 62% respectively for GDP per capita; and Japan would be barely above our poorest state — Mississippi. Using GDP per capita as a measure of both economic output per person and of a country’s standard of living, America is winning quite handsomely.

Excellent point. It’s a sign of American prosperity that we can afford to buy more from other nations than they can afford to buy from us. 

It’s also a sign of prosperity that, when they do earn American dollars, foreigners often choose to invest those funds in the American economy (remember, the necessary flip side of a “trade deficit” is a “capital surplus”).

Speaking of European prosperity, here’s a fascinating map I saw on Twitter. The reporter from the Wall Street Journal who shared it remarked that “Purple areas are rich as US states. Yellow areas poorer than Mexico.” In other words, the few dark areas (a handful in Germany and one each in a few other nations) are the only parts of Europe that are economically equal or better than the United States.

Here’s another map, concentrating just on Northern Europe. I don’t have a policy lesson here: simply an observation that the United Kingdom has one really rich region (Greater London) and quite few relatively poor regions.

One final comment. Long-run growth matters. Hong Kong and Singapore, for instance, used to be poor jurisdictions. But free markets and small government have produced decades of strong growth, and now these places are among the richest places on the planet. Richer not only than Europe, but even more prosperous than the United States.

Cross-posted from the International Liberty blog.



from Hacker News https://ift.tt/YV9WJO
via IFTTT

How to Build the Perfect Pump-Up Playlist

https://ift.tt/2A9lnuY

With more people working remotely and spending time at home, we’re all listening to more music as well. White explains that as Pandora has expanded its playlist programming, the service has seen a surge of interest. “These new playlists support Pandora's recent findings that Americans are leaning on music now more than ever as a way to adapt to the shift in spending more time at home.”

As for when people are listening? The times and playlists are as varied as the tasks you want to accomplish. Want to wake up more easily? White explained that there’s a whole suite of stations designed to help you wake up in the morning, from the pop-focused Morning Hits to smoother options like morning Motown music and their Break of Dawn R&B channel, among other more rousing options like Morning Metal. If you’re trying to get a workout in, White recommends Pandora’s workout stations. “Listeners who can’t hit the gym are finding motivation in fast-moving, upbeat exercise at home: Pandora’s Pop and Hip-Hop Power Workout and Pop Fitness stations are among the top-streamed fitness stations during the week.”

In short, whatever it is you need a boost to tackle, there’s likely a playlist not just for that exact thing but a playlist for that thing that also features music you love. “Our listeners tell us they turn to Pandora at key moments throughout the day, especially around getting energized. At the gym, heading into work, music to focus while studying, or a soundtrack to the commute home,” White explains. “Not only are they telling us, but we can watch their collective behavior. Before Covid-19 we could literally see the times people would leave the office to head home, with noticeable spikes in the start of weekday listening sessions at 5, 5:30, 6 pm etc. local time.”

How to Build Your Own Playlist

Over at Pandora, when they need to tweak a playlist or improve their algorithm, they use listener data. In short, they keep an eye on how you use the service to try to make it better for you the next time you sign in. “Through watching user behavior we’ve also learned Pandora users gravitate towards a few favorite stations but love the mix of favorite artists and tracks alongside discovering new songs,” White explains. “One major request our listeners have had has been for more control of their favorite stations. That’s why we launched Modes last year to let listeners select Crowd Faves, Deep Cuts, Artist Only, or other modes on their favorite stations.”

Pandora, for example, offers its listeners Personalize Soundtracks, like the upbeat Your Energy Soundtrack that lives among them. Spotify, for its part, also has mood-based playlists, and introduces you to new music every week with the ever-popular Discover Weekly playlist.

But finding new music that inspires you is just part of the picture. You also have to consider what the music you’ll listen to is supposed to help you accomplish. When your favorite preprogrammed playlists start giving you repeats and you’re tired of the vibe from those bookmarked YouTube streams, you can always take the reins yourself and build a playlist that really reflects you—or the moment you’re trying to push through.

If you’re trying to focus and get work done, instrumental, rhythmic songs and long mixes are energizing without being distracting. If you’re prepping for a stressful event or day, you might want something upbeat with driving vocals or lyrics that inspire you.

A study sponsored by Spotify and conducted by Emma Gray, a consultant clinical psychologist and clinical lead at the British CBT & Counseling Service, proposed that tracks that are between 50 and 80 beats per minute, regardless of the genre or type, are ideal for focus, for example. However, additional research by Spotify reveals that many listeners tend to prefer music a bit higher than our resting heart rate, and if you’re looking for workout music, they even offer their study data broken down by heart rate zone here, so you can click your active or desired heart rate and see the most popular songs played by people whose fitness trackers report they were working out at that heart rate. It’s a good way to get a few popular songs to seed your playlist with.

Try These Tracks to Get Started

Finally, if you’re looking for specific song suggestions, here’s a playlist full of suggestions from WIRED writers and editors designed to get you going. You’ll find a little of everything here, so the eclectic can play it as-is, you can hit shuffle and bounce around, and if you have preferred songs or artists, you can use it as inspiration. The tracks in the playlist are in no particular order, so feel free to explore (and if you're using the embed below, only the first 100 tracks are listed. There's way more in the full playlist to enjoy).


More Great WIRED Stories



from Wired https://ift.tt/2uc60ci
via IFTTT

Advocacy group calls for Zoom to release a transparency report

https://ift.tt/3dd2NRi

Zoom AppPhoto by Smith Collection/Gado/Getty Images

Digital rights advocacy group Access Now has published an open letter to Zoom calling on the video conferencing company to release a transparency report.

Publishing transparency reports is a common practice for larger tech companies. Google and Microsoft, for example, share the number of requests they get from law enforcement and from governments for user data and if they disclosed customer data as part of those requests. Zoom, however, hasn’t published a transparency report, likely because it is a smaller company and holds less personal data.

Zoom has seen significant growth as workers, families, and even presidential campaigns have used the video conferencing software for virtual meetings due to the ongoing coronavirus pandemic.

Access Now argues that Zoom needs to publish a transparency report so that the public can be informed about how the company handles and protects user data. “The growing demand for your services makes Zoom a target for third parties, from law enforcement to malicious hackers, seeking personal data and sensitive information,” wrote Isedua Oribhabor, Access Now’s US policy analyst, and Peter Micek, Access Now’s general counsel, in the letter to Zoom. “Meanwhile, as people gather online, these assemblies will ​draw scrutiny from authorities​ looking to control the flow of information. This is why disclosing only privacy policies is not enough — it is necessary for Zoom to also disclose its policies and procedures protecting the data and accounts of everyone interacting with its services through a regular transparency report.”

Access Now is asking Zoom to share the following, according to the letter:

  • The number of government requests for user data you receive by country, with compliance rates, and your procedures for responding to these requests;
  • The circumstances when you provide user information to government authorities;
  • Policies on notice to potentially affected users when their information has been requested or provided to government authorities, or exposed by breach, misuse, or abuse;
  • Policies and practices affecting the security of data in transit and at rest, including on multi-factor authentication, encryption, and retention; and
  • Policies and practices affecting freedom of expression, including terms of use and content guidelines for account holders and call participants, as well as statistics on enforcement

Reached for comment, Zoom said it was considering the request, but declined to give further details. “We received the Access Now letter on Wednesday afternoon, and we are in the process of reviewing it,” the company said in a statement. “We take user privacy extremely seriously, and appreciate them reaching out on this very important topic.”

The company hasn’t had the best track record with security issues. Last July, a security researcher disclosed a zero-day vulnerability for Zoom on Macs that could let any website open a video-enabled call. In January, cybersecurity research company Check Point Research said it had found security flaws in Zoom that would have let hackers listen in on calls.

Update 8:24am ET: Updated with statement from Zoom.



from The Verge https://ift.tt/1jLudMg
via IFTTT

The iPad Pro is ready to supplant the Mac just as the MacBook Air is great again

https://ift.tt/3bactu8

Image: Apple

I felt personally attacked by Apple yesterday, specifically by the marketing copy it used to promote the new iPad Pro: “Your next computer is not a computer.” This newsletter, Processor, is also (and originally) the name for the tech-focused video essays that I sometimes make. The very first one kicked off by asking the same question Apple did with an iPad Pro back in 2018: “What’s a computer?”

Now, apparently, Apple has decided that the iPad Pro “is not a computer.” Okay.

Of course, the whole idea here isn’t actually to define “computer,” in a strict sense, but instead to play with the concept of what we expect a computer to be and do. I’m obsessed with the evolution of big-screened computers over the past few years because it’s become the locus of so much experimentation.

Apple, Microsoft, and Google have each taken multiple shots at repeating the revolutionary change the iPhone effected on the phone world, but doing so with tablets. None have managed to pull it off, and so watching their iterative attempts every year is interesting primarily because they have to keep trying new things.

An iPhone-sized revolution isn’t in the offing, but the same-old laptops feel increasingly disconnected from the way we actually do our most important computer tasks — on our phones.

And so: the new thing Apple is finally coming around on is putting real trackpad support on the iPad. There’s a whole riff here about how it’s a vindication of Microsoft’s original concept for the Surface line, but I’ll leave that for another day or another writer. I also have many emotions about how the new trackpad and mouse support work on iPadOS, but I’ll weigh in after I’ve spent some time using them.

Instead, I’m fascinated by how the new iPad Pro and new MacBook Air are directly competing with each other.

Apple disagrees, for the record. On a call yesterday with journalists, an Apple representative said that very few people who are going out to buy a device are actually confused about which one they want to get. I think that’s right, honestly, but that it won’t be right forever.

Will the iPad cannibalize the Mac? In some ways this question has become boring even as it continues to be vital. There are lots of questions like this in tech, and answering them requires cleaving a Gordian knot rather than trying to untie it. For Google, it’s “will Android and Chrome OS merge?” For Microsoft, it’s “can Windows stay relevant in the age of smartphones?”

The fact that these questions become tiresome doesn’t mean they don’t continue to be vital. For Apple, the problem is that the obvious trajectory the iPad is on right now runs smack into MacBook territory. Making two directly competitive products is a recipe for one of them to stagnate.

It doesn’t help that the Mac has had a bad few years — bad keyboards, bad pro machines, and most recently a pretty big whiff on Catalyst apps. So it’s tempting to say that the Mac is stagnating and it’s only a matter of time until the only people that buy Macs are pros who need to do very crunchy computing tasks like modeling molecules and rendering video and animation.

I don’t think that’s inevitable, but I do think it’s more likely than not on a long enough timescale if current trends continue. Until last year, that felt like a nightmare scenario to me, because until last year the iPad was radically locked down. I still think it’s too locked down to be a great general computing device, but it’s heading in a more open direction at least.

At the precise moment Apple perfected the MacBook Air, the iPad Pro looks poised to supplant it

The irony of all this is that on paper, the new MacBook Air is a stupendous everyperson computer. Apple got it down under the $1,000 mark while simultaneously fixing most of the big problems with the last model. The keyboard is fixed. The processor is fast enough for most people now instead of being a modest compromise. The default storage is reasonable.

All of which is to say that at the precise moment Apple finally shipped a great MacBook Air again, the iPad Pro looks poised to supplant it.

I take my job as a reviewer of consumer technology seriously, which means that I bounce between lots of different computing platforms. In a given week I’ll use a MacBook, a Surface Pro, an Android phone, an iPhone, a Pixelbook, and an iPad Pro. It’s weird and I don’t recommend it, but it lets me see the strengths and weakness of each platform very clearly.

And here’s what I see, at least from Apple’s computers. The MacBook Air is the MacBook that Apple should have been shipping for the past five years. If I had to recommend one Apple computer to somebody without knowing anything about their needs, I’d almost surely pick the new Air. But if I had to guess what my default recommendation would be in a few years, I’d say it will be the iPad Pro.

The irony, of course, is that I still haven’t figured out a reliable way to create this newsletter using only an iPad Pro. I can do it on a Mac, a Chromebook, or a Windows PC easily, but the iPad is too locked down to run the tools I need.


Apple’s announcements

Apple announces new MacBook Air with improved keyboard, faster performance, and more storage.

Apple announces new iPad Pro with trackpad support and a wild keyboard cover.

iPadOS 13.4 adds full mouse and trackpad support.

How the new iPad Pro compares to the new MacBook Air. Jay Peters lays out all the specs in a single chart.

Apple doubles the storage in the standard Mac mini.

Apple’s new iPad Pro keyboard with trackpad will cost up to $349. It’s not coming out until May. Even for Apple, these prices seem exorbitant.

Here’s how the iPad’s new trackpad actually works. I collated a list of all the gestures. I think I forgot to put in “right click” because it was too obvious to me but, in fact, it’s not obvious at all!

Logitech’s iPad keyboard case with trackpad costs half as much as Apple’s. I really, really hope we see a lot more of these. I still don’t fully understand why nobody ever adopted the iPad’s smart connector in any of its iterations (if you do, please email me). Regardless, trackpad support is a moment for a bunch of companies to take another crack at iPad keyboards, since Apple’s solution is super expensive.

Sony announces PS5 specs

I’ll come back to Sony later in the week. After weighing in so much on the Xbox, I feel like I owe it to the PS5. I still think the specs are a wash between the two, but what comes out of that wash is going to be fascinating.

In the meantime, we’ve got solid analysis from the rest of The Verge in the links below.

Sony reveals full PS5 hardware specifications. There are two kinds of people in the world. Those for whom the following paragraph is complete gibberish and those who know what it means and are pretty excited by it.

The PS5 will feature a custom eight-core AMD Zen 2 CPU clocked at 3.5GHz (variable frequency) and a custom GPU based on AMD’s RDNA 2 architecture hardware that promises 10.28 teraflops and 36 compute units clocked at 2.23GHz (also variable frequency). It’ll also have 16GB of GDDR6 RAM and a custom 825GB SSD that Sony has previously promised will offer super-fast loading times in gameplay.

PS5 will support ‘almost all’ of the top 100 PS4 games at launch.

Sony says the PlayStation 5’s SSD will completely change next-gen level design. This is so smart. You might think, as I did just yesterday, that load screens getting shorter is great but not necessarily life changing. But it’s not about the load screens, it’s about all load times. And if they go away, a lot of the constraints you didn’t even realize were there in the first place could go away too.

Cerny says most modern game developers more realistically “chop the world into a number of smaller pieces” to avoid those extra-long elevator rides. But the end result is that you have levels designed with twisty passages and long, repetitive environments that are there solely to account for load times and to avoid kicking the player to a black screen.

PS5 vs. Xbox Series X: a complicated battle of SSD and GPU speeds. There are a lot of numbers and teraflops and comparisons that aren’t immediately obvious just one to one. Essentially you’re going to see some console fan brag about the Xbox or PS5 having more flops or whatever, but all computing hardware is about trade-offs and compromises. Sony and Microsoft just focused on prioritizing different things.

My very-layman’s-and-correct-me-if-I’m-wrong take is that Microsoft just threw as much horsepower into a big box as it could, while Sony is hoping it has something more nuanced.

Though I’d like to see what Sony’s box looks like. So far, as Tom Warren repeatedly reminds me, all we’ve actually seen is a logo. His analysis below and in the full story is worth your time.

Sony is hoping that by offering developers less compute units running at a variable (and higher) clock rate, the company will be able to extract better performance out of the PS5. The reality is that it will require developers to do more work to optimize games for the console until we can find out how it compares to the (more powerful on paper) Xbox Series X.

More from The Verge

Space startup Lynk uses satellite to send text message to unmodified Android phone. Loren Grush has this truly fascinating story. You might think there’s some weird gotcha in the headline, but there’s not. A satellite really did essentially act as a cell tower for an unmodified Android phone on the ground — a phone that normally only communicates with cell towers in the range of a few miles at most.

Slack unveils its biggest redesign yet. Everybody always hates the day when their tools suddenly change on them, so I won’t prejudge. I won’t say that I think this design is spatially inefficient and wildly optimistic about people bothering to organize their stuff, much less their willingness to learn how. I won’t suggest that what Slack needs to do is put more effort into an API so people can make third-party clients that cater to their specific work desires instead of following Slack’s ideas. I won’t say any of that. I’ll wait to see what this redesign is actually like to experience. Then, well, I guess we’ll see.

Android 11 Developer Preview 2 is out with support for call screening, hinge angle detection, and more.

This is Twitch’s moment. Bijan Stephen is cooler than me and therefore knows cooler people, but that doesn’t undercut his point that he’s seeing lots of cool stuff happening on the platform. Twitch is going to break out into something more than what it has been. I don’t know what that’ll be, ultimately, but you can feel the shift happening already.

What’s really cool about all this is the flourishing creativity I’ve seen in the new streams that are happening on Twitch right now. A New York Times columnist I know has started doing cooking streams with her husband; a programmer I’m pals with has started hosting daily yoga classes; my friends at the podcast Reply All have joined, too, and they’ve started streaming live call-in shows. And these are just the people I know — there are undoubtedly thousands more streams like them happening right now. It’s the best time on Twitch that I can remember.

Schools can get direct connectivity help from carriers after new FCC ruling.



from The Verge https://ift.tt/1jLudMg
via IFTTT

Beat the Coronavirus Blues With a Free 'Dungeons & Dragons' Adventure

https://ift.tt/2w9xKVX


Whether you’ve always wanted to try some dice-rolling adventuring, or you’re bummed because your regular Dungeons & Dragons group might have to virtual for a few weeks (or months), now’s as good a time as any to fight coronavirus-induced boredom with tabletop gaming.

And since we’re all probably pinching pennies a bit, I recommend you start your adventures with this brand-new (and free) campaign from Wizards of the Coast: Explorer’s Guide to Wildemount.

You aren’t getting the full adventure, but this trial should be enough to help you decide whether you enjoy Dungeons & Dragons—or give you a nice little refresh from whatever primary campaign you might be running. It’s all set in Wildemount, home of the famed Critical Role adventurers (whose exploits you can stream, for free, if you’d rather watch people play D&D than play it yourself).

You’ll have to have a Roll20 account to get this set up with your friends, which I highly recommend doing for the conveniences it brings to remote playing. However, you will face some limitations if you’re not paying:

Once you’re ready to create your game (after giving it a name), you’ll get taken to your campaign’s landing page. From there, you’ll be able to invite your players (up to five total for the free version) and indicate when your next session will be. Launch the game—and if you’re running it, I recommend doing a trial run solo before you start with your actual players, as you’ll then be able to walk through the Roll20 tutorial to learn how to use the interface:

lich fight lich fightScreenshot: David Murphy

Admittedly, Roll20 does come with a bit of a learning curve, so don’t expect that you’ll be able to run people through your very first adventure within a few minutes of setting up your account. It’s an incredibly useful and powerful tool, but it’s not the only way to play Dungeons & Dragons remotely. I do love that it has built-in video and audio chat capabilities, as well as a text chat. Heck, you can even import your own scenic music for your campaign.

If this sounds like a bit too much work, though, there’s always the quick and easy method: Use the text you get on Roll20, but fire up a video chat on whatever service you prefer most (Skype, Facebook, Google Hangouts, Zoom, et cetera) and just walk your players through what’s going on. (Miniatures / hex boards aren’t for everyone.)

And don’t forget to add a few extra tools to your remote arsenal to make your game even more dynamic for everyone involved:



from Lifehacker https://lifehacker.com
via IFTTT